Bureau B's Record Store Day 2013 12" EP releases

LLOYD COLE & HANS-JOACHIM ROEDELIUS - NNNNeonLLLLights
ROEDELIUS SCHNEIDER - Well Sustained / Schlummer
2013, Bureau B, MS976516 BB135

QLUSTER - Am Horizont
SCHNEIDER TM Bimanual Complexity (Gebrüder Teichmann Togo Mix)
2013, Bureau B, MS976526 BB136

JUNIOR ELECTRONICS - Mr. Mercator
MOEBIUS & TIETCHENS & JUNIOR ELECTRONICS - Herrlichkeit (Ken Charlton) / MOEBIUS & TIETCHENS - Tiefland
2013, Bureau B, MS976536 BB137

Bureau B is a German record label specialising in largely instrumental, electronic, experimental and avant garde music. Some of it you might want to call "krautrock", just so as to give it a label, but that rather lazy umbrella term doesn't necessarily seem to fit all the styles of music, especially more introspective instrumental ambient works where the "rock" element is quite irrelevant.

For Record Store Day 2013, Bureau B released a trio of double A-side 12" EPs, all similarly packaged in sleeves bearing the same design (note the subtle changes in colour between the different releases) and with the records being pressed on white vinyl. (I've said it before already, what IS it with white vinyl? Surely, the most boring of vinyl colours, outside of traditional black.)

Moving quickly onto the first of these three EPs. Put all thoughts of the similarly titled Kraftwerk song out of your head, "NNNNeonLLLLights" is an original composition, an outtake from the recording sessions for the Lloyd Cole and Hans-Joachim Roedelius collaboration Selected Studies Vol. 1. It's a minimalistic semi-ambient piece with background electronics overlaid with tuned percussion (marimba or xylophone or something similar) giving the track an oriental flavour. Roedelius must be one of the most prolific musicians in the avant garde, and he appears also on the other side of this record teamed up with Stefan Schneider as Roedelius Schneider. The first of their two pieces here, "Well Sustained" features more tuned percussion, and various electronic sounds and effects over a simple electronic pulse of a bassline. Gradually a melody emerges as various sounds drift in and out of the mix. I think there's even a guitar in there somewhere. All in all it's quite a hypnotic brew. "Schlummer" is of similar construction although with acoustic instruments such as piano being more prominent, and perhaps, I fancy, a little acoustic guitar being strummed too. The layers build up over a simple walking bassline to create a musical tapestry.

The second of these Record Store Day releases from Bureau B is the longest clocking in at 21 minutes (that's half an album). On one side we have "Am Horizont" by Qluster. A distinct entity apart from Kluster and Cluster, Qluster with a Q is Hans-Joachim Roedelius (him again!) and Onnen Bock. "Am Horizont" is a slowly developing but quite sumptuous piece beginning with an electric piano motif overlaid with various electronic and percussive sounds coming in and out of the mix. It's a very atmospheric and laid back piece; it's so relaxing that it is almost soporific, but I mean that in a good way; it's quite a beautiful piece of music. The other side of this disc is Gebrüder Teichmann's remix of Schneider TM's "Bimanual Complexity". On first listen this is quite a strange piece. While still minimalistic it's more lively than the piece of the other side of the record with a drum machine beat overlaid with a variety of strange and bizarre electronic sounds and samples. The original track is taken from the Schneider TM (a.k.a. Dirk Dresselhaus) album Construction Sounds. According to  Bureau B, "The album is what results when a delicate musician has to live amidst Berlin's construction noise for eight years, during the time when the former working class district of Prenzlauer Berg was transformed into a neighborhood for higher-income earners. Dresselhaus recorded the sounds and patterns produced by the construction workers and combined these moments with the electronic recordings that he made during this period..." With that little piece of knowledge, all the sounds of drills, breaking glass, power tools, assorted bangs and crashes, etc, make sense.

The third of these records features Junior Electronics on one side. Junior Electronics is in reality Joe Watson, a musician and sound engineer from Brighton in the UK, best known for his keyboard duties with Stereolab. The music here is quite different from the other pieces on this series of Bureau B Record Store Day releases and is quite poppy in nature. Not only is it not German, but here we have vocals too. "Mr. Mercator" is a jolly little romp of a tune. It's a piano-led piece, with a traditional sounding bass and drums in the background, along with the requisite electronics, of course. The other track on this side of the record, "Herrlichkeit (Ken Charlton)", is a Moebius & Tietchens piece that has been reworked by Junior Electronics inasmuch as he has put vocals onto it. Thankfully it is quite brief. I don't know who "Ken Charlton" is, and I feel like I am not being included on the artist's in-joke. This is easily the most throw-away piece on these three discs and is probably best forgotten. Onto the other side of this record and we have Moebius & Tietchens' "Tiefland", a track which takes a while to get started and appears initially to be a series of sound effects. Although a simple rhythm of sorts emerges from the random bleeps and bloops the piece doesn't really progress much beyond being a series of sound effects. Apparently it was an album out-take. It may have been better left on the cutting room floor.

So, to sum up, without a doubt the best of the bunch is the Qluster/Schneider TM disc; this is the one that I have had on the most frequent rotation. The disc featuring Roedelius Schneider is also well worth a spin or two, but less so on the Lloyd Cole & Hans-Joachim Roedelius side. As for the Junior Electronics/Moebius & Tietchens disc, you should probably give that one a miss.

Although these were Record Store Day 2013 releases, each limited to 500 copies, Tapete Records still have some left in stock at the time of writing, if any of them take your fancy.

P.S., there WAS actually a fourth Bureau B white vinyl 12" release for Record Store Day, but it was a separate entity from these three releases - it was by a single artist on both sides of the record and had its own cover art rather than the generic Bureau B design as on the above three records. However, I'm going to deal with this other record in a separate blog post.

Themes For Action

2013, Network, 7954006

A1: Man In A Suitcase
A2: The Saint (1966 main title)
A3: The Prisoner
B1: The Saint (1968 main title)
B2: Danger Man (1960 main title)
B3: Danger Man (1964 main title)

Here's a Record Store Day find that I didn't have written down on my list before the event, but I saw this in the shop and just had to grab a copy. It's a 7" record playing at 45rpm recorded in mono and with six tracks on it. Some would call it an EP, but these tracks are so short that the combined length of the record is less than most singles. That is to say, there's nothing "extended" about it.

The record contains the themes for 1960s ITC produced cult classic TV shows, Man In A Suitcase, The Saint, Danger Man and The Prisoner from legendary composers Ron Grainer and Edwin Astley. The first two tracks on each side of the record are quite short at about 20 seconds a piece, with the third title on each side being a longer piece and all the more satisfying for the listener. Quite frankly, the music for Patrick McGoohan's masterpiece The Prisoner is worth the record price alone.



Fantastic stuff!

The Conny Plank re-Work sessions

2013, Grönland Records, 12GRON123

A1: Eurythmics - Take Me To Your Heart (Popnoname Remix)
A2: Moebius & Plank - Infiltration (Walls Remix)
B1: NEU! - Für Immer (Eye/Boredoms Remix)
B2: Eurythmics - Le Sinistre (Kreidler Remix)

This was a Record Store Day purchase. It's a 12" EP featuring four tracks that have been reworked by the late legendary German record producer and audio engineer, Conny Plank. This was on my list of records to look out for on Record Store Day last month. I was referring to my list whilst asking the proprietor of Tangled Parrot in Carmarthen, Wales, which titles he had in stock. Seeing the list in my hand he commented that he had the Conny Plank record in stock and did I want it. "Oh yes please," I answered and grabbed the record as he passed it over and added it to my growing pile of purchases without actually looking at it.

When I got home, I saw that the Conny Plank record contained two songs by The Eurythmics. Had I seen this in the shop I probably wouldn't have bought it as I am no particular fan of The Eurythmics, not being overly fond of Annie Lennox's voice (and if you ask why, just listen to "There Must Be An Angel". I really can't be dealing with that kind of over-the-top singing with too many notes crammed in to each syllable).

However, on playing the record and listening to it several times over, it soon became the favourite of all my Record Store Day purchases. The Eurythmics tracks are both excellent, Lennox's voice is nicely understated and they fit in nicely with the two more "krautrock" style pieces. The version of "Für Immer" by NEU! (one of my very favourite acts) feels as if it has been broken down into its component parts and then re-built in an enirely new shape. And why not? If I want to listen to the original version, I can always play "NEU! 2". "Infiltration", the Moebius and Plank piece (Conny Plank himself along with Dieter Moebius, best known for his work with Cluster and Harmonia) feels like it's going to be a weird ambient instrumental piece to start with but soon develops into the most incredibly hypnotic "kraut" vibe.

So yeah, it's a great record and one which I'm so pleased that I bought. It's just as well I didn't see the tracklisting when I was in the shop as my Eurythmics prejudices would have gotten the better of me. I now think that perhaps I've judged them too harshly and that I should discover more of their non-hit single work.